Each time the Guggenheim speaks, its approach to migrant labour issues on Saadiyat Island sounds more like that of a global corporation than that of an educational or art institution. We would like to remind the Guggenheim that it’s a museum, with a mission to “explore ideas across cultures through dynamic curatorial and educational initiatives.” Museums should help the public come to a greater understanding of the global complexities we all face.
Each day the Guggenheim hides behind the excuse that “construction has not yet started on our building” is another day of evading decisions and actions which could prevent a future migrant worker’s servitude. Right now, the Guggenheim Abu Dhabi’s infrastructure is being constructed. That infrastructure includes roads, sewage, water, electric, net pipes, etc., leading to the museum. But other components of the work are also under way. We can only assume that money has been transferred to the Guggenheim here in New York in order to hire the curators and administrators of Guggenheim Abu Dhabi. We know that events off-site have already been organized. Works of art have certainly been bought, insured, and stored. Last but not least, Saadiyat Island is being sold to investors on the basis of the Guggenheim’s name, along with those of the Louvre, the British Museum and others. How can the Guggenheim claim that construction has not begun?
Even if we were to take at face value the claim that construction of the Guggenheim Abu Dhabi has not begun, we would say the following: NOW thousands of workers who will build your museum are taking on the massive debt that will take them years to repay; NOW workers are being recruited with promises that will not be fulfilled, for jobs that will pay less than they expected; NOW workers are applying for the passports that may be confiscated as soon as they land in the UAE; and, surely, NOW is the time to do something about all of this.
It is unfortunate but not surprising that the Guggenheim refuses to open its doors to a serious public dialogue about the migrant labor issues in Abu Dhabi. A museum of its stature must foster public education about the conditions under which art is viewed. The Guggenheim is stepping back from this social responsibility as it focuses on expanding into new global markets.
As for the underpaid Guggenheim guards’ wages in New York, passing off culpability to a subcontractor is no longer an acceptable practice, even in the corporate world. The Guggenheim should pay all employees at least a living wage, even if they are on a contractor’s payroll.
Sadly, the Guggenheim’s latest response confirms our expectation. It has tried to hide behind technicalities and PR spin as it waits for news cycles to die down. We know the composition of their board and it does not surprise us. A 1% Global Museum with a 1% Board that cares very little about its lowest-paid employees and the example it is setting to the world.
We will be back.
G.U.L.F.(Global Ultra Luxury Faction)